{"id":5632,"date":"2023-11-10T13:52:23","date_gmt":"2023-11-10T13:52:23","guid":{"rendered":"https:\/\/staging.aprobo.com\/akustiktermer\/"},"modified":"2023-11-10T15:23:16","modified_gmt":"2023-11-10T15:23:16","slug":"akustiktermer","status":"publish","type":"post","link":"https:\/\/staging.aprobo.com\/no\/akustiktermer\/","title":{"rendered":"Akustiske termer"},"content":{"rendered":"\n

Akustikk er en komplisert vitenskap som ikke blir enklere med alle de vanskelige termene og konseptene. Det f\u00f8rste trinnet i \u00e5 finne en l\u00f8sning p\u00e5 akustiske problemer er \u00e5 kunne definere hva problemet er. Alt for ofte blandes ulike typer akustiske konsepter sammen, hvorp\u00e5 det foretas feilvurderinger. Mange ganger f\u00f8rer dette til at akustikktiltaket svikter eller i verste fall forverrer utgangssituasjonen.<\/strong><\/p>\n\n\n\n

Trinnlyd<\/h2>\n\n\n\n

Problemet skyldes st\u00f8y fra trinnene dine som for eksempel naboen h\u00f8rer n\u00e5r du g\u00e5r. Trinnlydniv\u00e5et b\u00f8r v\u00e6re s\u00e5 lavt som mulig. Skrittlydsdemping er et m\u00e5l p\u00e5 hvor mye trinnlyden reduseres med ulike gulvbelegg p\u00e5 tynne homogene betongbjelkelag. Trinnlyddemping b\u00f8r v\u00e6re s\u00e5 h\u00f8y som mulig.<\/p>\n\n\n

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\"\"<\/figure>\n<\/div>\n\n\n

Trommelyd<\/h2>\n\n\n\n

Det er problemet med lyden av trinnene dine som du h\u00f8rer selv mens du g\u00e5r. Det finnes i dag ingen standardisert metode for \u00e5 m\u00e5le trommelyd, men det forhindrer ikke at det gj\u00f8res verdifulle komparative tester mellom ulike gulvtyper ved bruk av ingeni\u00f8rmetoder. Problemet med trommelyd er vanlig med harde gulvbelegg.<\/p>\n\n\n

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\"\"<\/figure>\n<\/div>\n\n\n

Luftlydisolering<\/h2>\n\n\n\n

Luftb\u00e5ren st\u00f8y er lyd som produseres direkte i luften, for eksempel fra stereoanlegg. Luftlydisolasjon er en forskjell i lydniv\u00e5 mellom to rom hvor lydniv\u00e5et i ett rom skapes av for eksempel en h\u00f8yttaler eller tale. Luftlydisolasjon inng\u00e5r vanligvis i lydkrav klassifisert fra klasse A til klasse D. Jo h\u00f8yere verdi p\u00e5 luftlydisolasjonen, jo bedre.<\/p>\n\n\n

\n
\"\"<\/figure>\n<\/div>\n\n\n

Lydabsorpsjon<\/h2>\n\n\n\n

Lydabsorpsjon er et m\u00e5l p\u00e5 hvor mye av lyden som faller inn p\u00e5 en ikke-reflekterende overflate. Generelt kan for eksempel tekstiloverflater gi et godt tillegg til et roms absorpsjon, men kun ved h\u00f8ye frekvenser. Absorpsjon kan ogs\u00e5 oppn\u00e5s med tette overflatelag p\u00e5 grunn av resonans mellom overflatelag og underlag. Selv om m\u00e5linger av lydabsorpsjon kan brukes til \u00e5 sammenligne ulike produkter, er det den absolutte mengden absorpsjon som f\u00f8rst og fremst teller.<\/p>\n\n\n

\n
\"\"<\/figure>\n<\/div>\n\n\n

Flanketransmisjon<\/h2>\n\n\n\n

N\u00e5r luftlydisolasjonen mellom to rom svekkes av en annen lydbane enn skilleveggen, sies det \u00e5 ha flankeoverf\u00f8ring. Et eksempel p\u00e5 dette er n\u00e5r du setter opp en gipsvegg p\u00e5 et betonggulv. Da vil en viss del av lyden p\u00e5 den ene siden g\u00e5 ned i betonggulvet, hele betongplaten vil begynne \u00e5 vibrere, og derved vil lyden komme opp gjennom betonggulvet p\u00e5 den andre siden av veggen.<\/p>\n\n\n

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\"\"<\/figure>\n<\/div>\n\n\n

Parkett resonans<\/h2>\n\n\n\n

Parkettresonans er et uttrykk for \u00e5 beskrive forringelsen av lydisolasjonen som ofte oppst\u00e5r mellom parkettgulvet og dets underlag. I mange tilfeller kan denne resonansen i stor grad svekke luftlydisolasjonen. Dessverre oppst\u00e5r ofte dette fenomenet i lysspekterets taleomr\u00e5de, noe som gj\u00f8r at man opplever forverringen enda tydeligere. I verste fall kan parkettresonansen gj\u00f8re at du kan h\u00f8re naboens tale veldig tydelig. Problemet er vanlig med tynne parkettgulv p\u00e5 betongbjelkelag.<\/p>\n\n\n

\n
\"\"<\/figure>\n<\/div>\n\n\n

Subjektiv vurdering<\/h2>\n\n\n\n

Dette er alt annet enn en standardisert metode som er ekstremt viktig. Uansett hvor god en m\u00e5lt testverdi viser, er det imidlertid alltid opplevelsen av akustikken som teller til slutt. For eksempel, via lyttetester, kan folk utf\u00f8re en blindtest for \u00e5 sammenligne trommelyder fra \u00e5 g\u00e5 p\u00e5 forskjellige overflater, for \u00e5 gi en lydkvalitetsvurdering p\u00e5 testobjektet.<\/p>\n\n\n

\n
\"\"<\/figure>\n<\/div>\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"Akustikk er en komplisert vitenskap som ikke blir enklere med alle de vanskelige termene og konseptene. Det f\u00f8rste trinnet i \u00e5 finne en l\u00f8sning p\u00e5 akustiske problemer er \u00e5 kunne definere hva problemet er. Alt for ofte blandes ulike typer akustiske konsepter sammen, hvorp\u00e5 det foretas feilvurderinger. Mange ganger f\u00f8rer dette til at akustikktiltaket svikter… View Article<\/a>","protected":false},"author":2,"featured_media":5593,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_crdt_document":"","om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-5632","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-okategoriserad"],"yoast_head":"\nAkustiske termer | Aprobo<\/title>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"nb_NO\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Akustiske termer | Aprobo\" \/>\n<meta property=\"og:description\" content=\"Akustikk er en komplisert vitenskap som ikke blir enklere med alle de vanskelige termene og konseptene. 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